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Nyhetssammanfattning - 23 juni 16:00 – Aftonbladet pod…
1:53
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Ha de gött tills vi ses nästa gång <3","author":{"@context":"https://schema.org","@type":"Person","name":"Ellen Sundström"}},{"@context":"https://schema.org","@type":"BlogPosting","headline":"Tavlor till salu","datePublished":"2024-07-13T13:11:42.607Z","dateModified":"2024-07-13T13:11:42.606Z","articleBody":" I det rosa huset i Nora kan man hitta många tavlor. 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Årets loppishelg i Bergslagen i gång
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3:14
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Love is blind-Milly, Klara Elvgren: ”Vill känna mig snygg” och Sydney Sweeneys badvatten-tvål
0:29
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Mohamssons fnissiga svar på frågan om skelett i garderoben
1:18:12
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Ser Wimbledon vinna på Wembley: ”Bästa historien fotbollen har producerat – någonsin”
0:56
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Stjärnparet skiljer sig – efter 18 år
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Infowars köptes av The Onion – nu stoppas försäljningen av en somare
57:35
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De sista ljuva åren med libido
0:37
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Här jublar Kungen efter Sundlings guld
1116×1116
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USA utfärdar varning för iranska attacker i Sverige
31:26
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”Musan”.","contentUrl":"https://images.aftonbladet-cdn.se/v2/images/9de8f120-fa44-4db9-9678-7b090e5a7e58?fit=crop&format=auto&h=866&q=50&w=1300&s=09b12334c10e696efde82c90114cc8c3400abc1b"},{"@type":"ImageObject","url":"https://images.aftonbladet-cdn.se/v2/images/9de8f120-fa44-4db9-9678-7b090e5a7e58?fit=crop&format=auto&h=933&q=50&w=1400&s=12fb64a98f712f1cccd0a7ddc46114047899dd73","width":1400,"height":933,"caption":"Mats Strandbergs senaste roman heter ”Musan”.","contentUrl":"https://images.aftonbladet-cdn.se/v2/images/9de8f120-fa44-4db9-9678-7b090e5a7e58?fit=crop&format=auto&h=933&q=50&w=1400&s=12fb64a98f712f1cccd0a7ddc46114047899dd73"}]},"reviewBody":"+++ Hur kommer det sig att du blev författare? På denna obligatoriska intervjufråga svarar Hedda Strömberg,huvudperson i Mats Strandbergs ”Musan”: ”Jag älskar böcker”. ”Vi bodde långt ute på landet,och det fanns inga andra barn i närheten. Så jag läste mycket i stället,och använde min fantasi.” Snark. Hedda är en prisad ungdomsboksförfattare som sålt sig till det svenska deckarundret. Men inspirationen saknas och läsarna uteblir. Utifrån hur Hedda uttrycker sig och tänker kring sitt skrivande är det inte så svårt att förstå varför. Samtidigt har före detta bästa vännen David Ridings gjort succé genom att snylta på de trauman Hedda en gång anförtrott honom. Skamlöst väver han in dessa erfarenheter i sina feministiska pastischer på antika myter (en genre som idag känns misstänkt otidsenlig som exempel på prestigelitteratur skriven av män). I sin tidigare skräcklitteratur har Mats Strandberg använt sig av det gråa,lite banala Sverige: finlandsfärjan,vårdhemmet och konferensen. När han nu skriver om sin egen miljö,författarnas,blir det mer klassiskt i flera bemärkelser. David Ridings kommer från en uppburen kultursläkt som består av generationer av konstnärer,fotografer,dramatiker och spelutvecklare. Över midsommar samlas de på det bedagade Villa Thamyris – en historisk knutpunkt för Sveriges kulturelit och gamla ockultister. Dit bjuds nu även Hedda. Hon noterar Carl Larsson-skisser på väggarna,att överklassen struntar i att städa,samt en mystiskt igenspikad mathiss i sin garderob. ”Musans” smärtpunkt är det ständiga tvivlet på den egna förmågan men också priset för dess motsats: ruset i skaparkraften. I kapitelöppningarna med citat,bland annat från Kafka,Strindberg och Lagerlöf,beskrivs på olika sätt kreativitetens hypnotiska tillstånd eller begäret efter det. Detta är verkligen alla författares älsklingsämne. Om du inte har något annat att skriva om,skriv om ditt eget skrivande och alla demoner det frammanar. David och Hedda möts första gången på en skrivarskola modellerad efter Biskops Arnö – ett sammanhang som knäcker Heddas självbild. Läsare av kultursidor lär ha stött på Heddas erfarenheter i åtskilliga gamla kulturdebatter. Det räcker inte att bara vara en läsande och skrivande person för att vara speciell. För de nepo-babies som utgör elevunderlaget på ”litteraturens Lundsberg” är kulturvärlden långt ifrån idealiserad eller ouppnåelig. Till skillnad från Hedda undrar de inte om de förtjänar att få skriva. Istället ”talar de redan samma språk som lärarna” och avfärdar medömkande Heddas skräcknoveller. Värst är rädslan för att kulturklassen faktiskt är bättre,att försprånget är ointagligt. Lite för länge sysslar Strandberg med förutsägbara vändningar kopplade till vem som egentligen parasiterar på vem och vilka svek som är etiskt försvarbara i konstens och klasshatets namn. Men så slår äntligen boken över i fullt skräckläge och alla popkulturella plantor som planterats börjar blomma. Man känner igen sig. Det är Ari Asters ”Midsommar” och Bong Joon-hos ”Parasit”,kryddad med Stephen King,Charlie Brooker och inte minst Neil Gaiman,som inte bara liknar David Ridings genom sina 80-talsdoftande pastischer på antika myter,utan också är en författare som visat på en skrämmande dubbelnatur. Även om Strandberg ansluter till traditionen utan att göra bort sig på något sätt,måste man kanske ändå fundera över om han tillför någonting nytt,antingen till genren eller till en pågående diskussion om litteratur och skapande. Att det är traumat som är vår tids musa är en iakttagelse som varit i omlopp ett tag. Den ofta ojämlika maktrelationen mellan musa och konstnär är ett ännu mer utforskat tema. De eviga konflikter som ”Musan” rör sig kring,mellan högt och lågt,prestige och pengar,inspiration och skrivkramp,bleknar idag mot litteraturvärldens främsta rädsla: att boken ska förlora sin relevans som medium och att litteraturen detroniseras som den mest omhuldade konstformen. För att bli oroande på allvar hade nog ”Musan” behövt befinna sig något närmare denna rädsla. För även om Hedda i slutänden tar hem spelet i boken kan inte ens denna glada läsare riktigt tro på att hennes litteratur kommer att klara sig i verkligheten.","reviewRating":{"@type":"Rating","ratingValue":3,"bestRating":5,"worstRating":1},"author":[{"@type":"Person","name":"Malin Nauwerck"}],"publisher":{"@context":"https://schema.org","@type":"NewsMediaOrganization","name":"Aftonbladet","url":"https://www.aftonbladet.se","foundingDate":"1830-12-06","legalName":"Aftonbladet AB"},"datePublished":"2025-06-02T02:00:00Z","dateModified":"2025-06-02T04:23:57Z"},{"@type":"NewsArticle","headline":"Mats Strandberg är bäst i fullt skräckläge","datePublished":"2025-06-02T02:00:00Z","dateModified":"2025-06-02T04:23:57Z","wordCount":648,"articleSection":"Bokrecensioner","description":"+++","keywords":"mats strandberg,recension","image":["https://images.aftonbladet-cdn.se/v2/images/afd2789e-e08b-48b4-882f-3348537e56d4?fit=crop&format=auto&h=1280&q=50&w=1280&s=8b9d1bce937e8ce158a256a0072607abda0cdacd","https://images.aftonbladet-cdn.se/v2/images/afd2789e-e08b-48b4-882f-3348537e56d4?fit=crop&format=auto&h=960&q=50&w=1280&s=0c0d41244eafc4b59fc87fc6618e7363450134b5","https://images.aftonbladet-cdn.se/v2/images/afd2789e-e08b-48b4-882f-3348537e56d4?fit=crop&format=auto&h=720&q=50&w=1280&s=d1b53f68554219ead3c0fda04de3fea9af683434","https://images.aftonbladet-cdn.se/v2/images/afd2789e-e08b-48b4-882f-3348537e56d4?fit=crop&format=auto&h=720&q=50&w=1280&s=d1b53f68554219ead3c0fda04de3fea9af683434"],"publisher":{"@context":"https://schema.org","@type":"NewsMediaOrganization","name":"Aftonbladet","url":"https://www.aftonbladet.se","foundingDate":"1830-12-06","legalName":"Aftonbladet AB","logo":{"@type":"ImageObject","@context":"https://schema.org","url":"https://cdn.aftonbladet.se/logotypes/v2/web/header/logo-aftonbladet-default.svg","width":477,"height":81},"sameAs":["https://sv.wikipedia.org/wiki/Aftonbladet","https://www.youtube.com/c/aftonbladettv","https://sv-se.facebook.com/aftonbladet","https://twitter.com/Aftonbladet","https://www.instagram.com/aftonbladet","https://www.tiktok.com/@aftonbladet"],"publishingPrinciples":"https://www.aftonbladet.se/omaftonbladet/a/LOlQ4/om-aftonbladet","ethicsPolicy":"https://www.aftonbladet.se/omaftonbladet/a/G1g2wx/sa-arbetar-aftonbladet-med-pressetik","masthead":"https://www.aftonbladet.se/omaftonbladet/a/K39kjy/aftonbladets-redaktionsledning-och-ledningsgrupp","verificationFactCheckingPolicy":"https://www.aftonbladet.se/omaftonbladet/a/LOlQ4/om-aftonbladet#:~:text=Aftonbladets%20journalistik,vi%20s%C3%A5%20h%C3%A4r%3A","correctionsPolicy":"https://www.aftonbladet.se/omaftonbladet/a/LOlQ4/om-aftonbladet#:~:text=S%C3%A5%20r%C3%A4ttar%20vi,kvalitet%40aftonbladet.se","unnamedSourcesPolicy":"https://www.aftonbladet.se/omaftonbladet/a/LOlQ4/om-aftonbladet#:~:text=S%C3%A5%20hanterar%20vi,vi%20s%C3%A5%20h%C3%A4r%3A","missionCoveragePrioritiesPolicy":"https://www.aftonbladet.se/omaftonbladet/a/LOlQ4/om-aftonbladet#:~:text=Aftonbladets%20journalistik,tidningens%20publicistiska%20verksamhet"},"author":[{"@context":"https://schema.org","@type":"Person","description":"Malin Nauwerck är medarbetare på Aftonbladet kultur samt forskare i litteraturvetenskap,verksam vid Svenska barnboksinstitutet. Typiska intresseområden är relationen mellan litteratur och samhälle,adaptation mellan olika medier,serier och grafiska romaner,sagor och myter. Just nu arbetar hon på en bok om Astrid Lindgrens originalmanus. ","email":"
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Konsten att förstöra konsten
1039×1039
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Stranded on honeymoon island Sverige 2025: Så mycket tjäna…
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Markus Larsson om sina egna Kent-recensioner
1:28
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Tusentals demonstranter i Stockholm: "Stoppa folkmordet"
1900×1267
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Regeringsombildning i morgon kl 10 - Senaste nytt – snabba nyheter från ...
3:08
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Influencern har slut på pengar och den stora fars dags-dissen
2:32
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16-åring målskytt när AIK vann stormötet – se målen
3:08
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Influencern har slut på pengar och den stora fars dags-dissen
0:33
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Här springer supertalangen på rekordtid
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John Cena har brottats klart – slutar i World Wr…
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John Cena har brottats klart – slutar i World Wrestling Entertainment
1:00
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Franrike vann efter engelska mardrömsminuter – se målen
1:26
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Kan sluta helt efter EM: ”Lite så är det”
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”Här är ditt kylskåp” med Tareq Taylor – alla deltagare
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M3gan 2.0 här är recensionen
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Diddy blir kvar i häktet efter juryns dom
38:11
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har fångat ungkattens intagande fluffighet med bravur. Man vill sträcka ut handen och begrava den i den mjuka pälsen. Att det är en djurkännare som hållit i penseln är uppenbart. För gulligheten balanseras av en pytteliten röd fläck på nosen och en svärta i ögonen som gör klart att den här kissen är djupt koncentrerad inför språnget mot något rov. En utblommad maskros i förgrunden korresponderar med det vita i pälsen,men leder även tankarna till allts förgänglighet i naturens ständigt pågående kretslopp. För Bruno Liljefors var temat äta eller ätas outtömligt. Örnar som slår ned på gnagare eller mindre fåglar var ett älsklingsmotiv. Som jägare kunde han studera fjäderdräkter i detalj hos sina troféer,som ibland stoppades upp och fungerade som modeller till hans målningar. Ibland kan man se att det är en uppstoppad fågel som avbildats,men oftare har han lyckats ge liv åt djuret som många gånger får egen personlighet som vore det en människa. Då uppstår sann magi. \n Om Bruno Liljefors vet jag så gott som ingenting,förutom att han ingick i ett hyllat triumvirat tillsammans med Anders Zorn och Carl Larsson – de tre stora gubbiga gubbarna av sin tid,som i början av karriären förnyade måleriet genom att gå ut i den fria luften för att hitta motiv. Senare fungerade de,uppbackade av sin folkliga popularitet,mer som bromsklossar för den frambrytande modernismen. När nu Fredrik Sjöberg skrivit en synnerligen ömsint och uppslagsrik biografi om Bruno Liljefors,ges inte bara en möjligheten att komma närmare personen bakom verket,utan även att få ta del av rundmålningen av kulturklimatet kring förra sekelskiftet fram till konstnärens död 1939. Boken är därtill ett praktverk med ett stort antal färgreproduktioner. Fredrik Sjöberg har plöjt igenom allt man kan hitta om Bruno Liljefors i arkiv och brevsamlingar. Man får följa hans detektivlika nosande i konstnärens spår. Ibland tar Sjöberg själv lite väl stor plats på bekostnad av biografins huvudperson,men det är en marginalanteckning – resultatet måste likväl ses som en forskargärning av rang. Jag har alltid uppskattat Sjöbergs temperament,här får han fullt utlopp för sin knappologiska metod där minsta brevlapp är av intresse och fås att glöda. Den vetgirige läsaren tas vid handen genom livsdramat,där författaren – trots sin beundran – inte värjer för Liljefors tillkortakommanden i liv och verk. \n Det här är ingen bok för veganer eller personer som inte tål politiskt inkorrekt gubbighet. Redan som barn dödar Liljefors kråkor och ekorrar genom att kasta sten på dem,och hela hans liv går ut på att finna goda fångstmarker. Att få ingå i hans jaktlag var ett privilegium för maskulina personligheter som flygaren Carl Gustaf Krokstedt och upptäcktsresanden Thorild Wulff. Andra som sällade sig till gänget,förutom Anders Zorn och Carl Larsson,var Albert Engström och Skansenchefen Alarik Behm. Festerna i anslutning till jakten var legendariska. Bruno Liljefors privatliv kantades av ständiga uppbrott. Att han lämnade sin fru för hennes yngre syster för att skaffa ytterligare en familj skapade förstås spänningar i släkten. Och han flyttade ständigt,förföljande en dröm om ständigt bättre fångstområden och motiv. Med skulle,förutom fru och en växande barnaskara,ett stort antal djur. Ett tag ägde konstnären inte mindre än tolv hundar. Några andra djur i mängden var rävungar,sköldpaddor,fiskgjusar,harar,grävlingar,ormvråk,vesslor,mård och till och med en kragbjörn. \n Fredrik Sjöberg ser hur dagligt umgänge med djur var ett tvingande behov hos konstnären. Att Liljefors var en sann djurvän samtidigt som han jagade var ingen paradox,utan ett uttryck för tidens darwinistiskt präglade natursyn. För att klara försörjningsbördan var Liljefors produktivitet hysteriskt hög och därmed ojämn. 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Kroppens surrealistiska trädgårdar
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