Rich Sullivan Thank you, good afternoon everybody. Welcome to DreamWorks Animation’s fourth quarter and year-end 2013 earnings conference call. With me today is our Chief Executive Officer Jeffrey ...
Ladies and gentlemen, thank you for standing by. Welcome to the DreamWorks Animation Second Quarter Earnings Call. [Operator Instructions] And as a reminder, this conference call is being recorded. It ...
Wall Street is expecting higher profit for DreamWorks Animation when the company reports its second quarter results on Wednesday, July 31, 2013. The consensus estimate is calling for profit of 20 ...
EXCLUSIVE: DreamWorks is in talks with the estate of author John Steinbeck to make a new version of The Grapes Of Wrath. The novel was turned into a classic 1940 film by John Ford, the director who ...
DreamWorks Animation acquired the library of Chapman Entertainment, including well-known preschooler properties Fifi and the Flowertots, Roary the Racing Car, Raa Raa the Noisy Lion and Little Charley ...
DreamWorks Studios has bought the rights to Japanese director Hirokazu Kore-eda’s film LIKE FATHER, LIKE SON, it was announced today by Fuji TV. Winner of a Jury Prize at the 2013 Cannes Film Festival ...
DreamWorks Animation had one box office hit in calendar year 2013 in The Croods and one disappointment in Turbo, but it was a good year for CEO Jeffrey Katzenberg. His total compensation was $13.48M, ...
DreamWorks Animation announced a profitable final quarter for 2013, as income outside the feature film market compensated for losses associated with Turbo. For the quarter, the company reported total ...
DreamWorks is now in talks with author John Steinbeck's estate to develop a new version of his classic novel The Grapes of Wrath. Deadline reports that Steven Spielberg is also interested in the ...
Timing is everything in Hollywood as far as business is concerned. The fact that DreamWorks contract comes as Netflix is trying to navigate through a storm of challenges is not uncoincidental.
Last year, Dreamworks celebrated its 30th year as a studio. In that time its impact on animation has been significant, as has the company’s approach to its output. Beginning as a direct rival to ...