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Arnold’s combustible first feature, “Red Road,” wedded British kitchen sink realism with moody expressionism, a marriage she revisits and intensifies with “Fish Tank.” Her two films are as ...
“Fish Tank” as in: confined, transparent quarters. Like a zoo, or a prison cell. Not a terribly original metaphor, but a plausible one, especially considering the environs of the film. Unfortunately, ...
When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. In an industry and an art form where the majority of directors are male and most stories are ...
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