Eddie Possehl is a dynamic and driven writer/director with a passion for the written word and all things film, television, comics, and games. His passion for storytelling led him to establish his own ...

Apple has long made its own productivity apps completely free to use on any of its hardware, but that’s about to change. While core features will remain free, Pages, Numbers, Keynote, and Freeform are ...

The 2026 awards season will be starting soon, and it won’t be long before we learn which 2025 films are the front-runners at the Oscars. But it takes more than just an Academy Award for a movie to ...

The year at the movies gets a mixed review. For a hefty chunk of 2025, it felt like one flop after another — and not only at the box office. And some of the past 12 months’ boffo hits were puerile ...

Apple Freeform is a versatile digital tool designed to help you brainstorm, plan, and organize ideas on an infinite canvas. Whether you’re a creative professional, a student, or a team leader, ...

As 2025 comes to a close, it’s a great time to look back at all of the great movies that were released throughout the year. Netflix may not have had as strong a year as Warner Bros. or Disney, but the ...

What's your favorite scary movie? When putting together this 2025 ranking, that delightful horror-film catchphrase suddenly became an impossible question. Ranking these movies felt like an impossible ...

You wouldn’t call 2025 an “off” year for horror — more like an odd one. Both A24 and Neon continued to back several scary-movie auteurs (the prolific Osgood Perkins, the brothers Danny and Michael ...

For almost as long as there have been films, there have been Christmas movies to go with them. But it wasn’t until television came along that watching Christmas movies became a true holiday tradition.

Quentin Tarantino has revealed his top 10 favorite films of the 21st century, and some of his choices came as a welcome surprise. The famed director named Ridley Scott’s 2001 war film “Black Hawk Down ...

2025 was a year that posed a lot of questions for movie lovers: Did the success of Sinners prove that there was still a mass audience hungry for original (read: non-IP) stories on a blockbuster level?