Towards the end of Peter Ackroyd’s first novel, The Great Fire of London, he says; ‘This is not a true story but certain things follow from other things.’ It is a good description of his latest novel, ...

With close to five hundred records relating to his life surviving and the prospect of still more being found, Geoffrey Chaucer remains one of the best-documented premodern Britons. The commanding size ...

I realised almost as soon as I began reading Norman Davies’s new history of the Second World War in Europe that I was not the best person to review it. In his introduction he says, without a blushing ...

Andrew Miller is a paradoxical novelist. He writes eloquently about isolation in a way that feels modern and relevant, and yet, more often than not, he dips into the past in order to do so. He does it ...

Mick Herron’s Slough House spy thrillers are, by now, one of the least well-kept secrets in espionage fiction. Everyone with even half an eye on the genre knows he’s somewhere near the top. He is ...

In the essays known as the Federalist Papers, published in 1787–8, the American statesman James Madison deplored ‘the blunders of our governments’. What, he asked, ‘are all the repealing, explaining ...

An Interview with Geoffrey HillGeoffrey Hill is, in the opinion of many, the best poet now writing in England, though he is not the best known. He was born in Bromsgrove, Worcestershire, in 1932, the ...

Writing to Monica Jones in 1954, Philip Larkin describes his mother, Eva: she is ‘nervy, cowardly, obsessional, boring, grumbling, irritating, self-pitying. It’s no use telling her to alter: you might ...

The mystery of Agatha Christie's extraordinary appeal is the subject for investigation in this engaging study by Robert Barnard, and by the end of the book you should be a lot clearer about the ...

Coleshill is an idiosyncratic version of Auden’s ‘Thanksgiving for a Habitat’, a loving evocation and transformation of the Wiltshire village and landscape where Fiona Sampson feels most at home. Her ...

It’s hardly a likely setting for an epiphany, a party full of the rich, the richer and the richest, all ghastly, in a marquee shrouded in ‘wastes of grey velvet’. Not exactly where you’d expect a ...

Stoyo Petkanov, the central character of Julian Barnes’s new novella, is a satirical creation of genius. Three parts Todor Zhivkov, the ghastly former ruler of Bulgaria, to one part Alf Garnett, he is ...